Folio XVI                Edition II

"I believe anyone can be an artist because any work of personal expression - a painting, a poem - can be called art."
-Sarah LeFeber '02
 


Lady In Red

by David Barreda '00



David was in Ripton this January and saw this.  "I just couldn't resist stopping my car to take this shot." He used it as part of his J-term class "Photographing the Landscpe of Vermont."

 

Perfect

by Alison Hertel '02


Have you ever 
not known what to do?

I never really know anymore; 
not since it started to grow 
inside my skinny frame 
I used to know. 
It was just me; 
tight like a rubber band.

I can't have a baby pushing out 
from between my hips 
that space where the skin goes in 
empty space between pelvic bones, 
beautiful empty space. 
It simply cannot, 
It will not, 
I will not let it fit.

I can't be fat
Not for nine months
Not ever, for anyone

How do I know 
it won't stay; 
I won't be fat 
forever?

I told him today;
I told him that I couldn't

And he said oh good 
He just couldn't take a life either
Couldn't kill a piece of me 
A piece of us
Couldn't live with himself
I just nodded

How could he understand? 
I couldn't live with myself 
and someone else for nine months 
couldn't live with a part of him inside me 
he would have me

Nine months is a long time
I can't give me up for someone else

not a man or a baby 
Can't give it up 
thinness I mean

Maybe when they suck it out, 
it will all come out; 
he will come out 
out of me 
on the sterile tiled floor 
scattered with doctors' footprints; 
in the bin with bloody sterile gloves. 
And without it 
the space between my hips 
will grow deeper 
more beautiful

He cannot understand 
He will not 
And I will tell him
I lost it 
I'm sorry 

and he will hold me and tell me it isn't 
my fault 
It really isn't

I go alone 
and the doctors see me and know 
I cannot be a mother 
I could not 
My body, myself 
thin 
I am compressed and perfect 
just enough for me and no one else 
He doesn't even have me 
Not enough of me to matter anyway 
There's just enough for me

I lie on the cold metallic table 
And I tell myself not to cry 
Perhaps the cold metal, 
the suction will make me 
more compressed 
perfect.


Alison is a sophomore from Rhode Island.  As an English major, her work focuses on fiction, but she also enjoys poetry.  Written for a workshop, Alison notes that this piece came out of the blue.  Rather than attempt to translate it for the reader, she challenges us to look for our own meanings within it.

 

untitled drawing

by Sarah LeFeber '02




"I was trying to do a project using graphite and I just kept getting it over everything... that’s how I got the idea for the hand. I printed the hand and used an eraser to shape it."


 

Untitled

by Julia Millstein '02


When I remember that day, I remember walking up the hill from the library and feeling blisters develop between the sweat and the pressure in my sandals.  And I remember the grating scratch of my nylon backpack straps on my bare shoulders, rubbing uncomfortably against my neck, forming tiny red bumps.  And I remember hours later, being suddenly aware of myself totally naked, in full summer sunlight, and thinking, “my God, it has never been this good.” 

While most people may be fooled again and again by a compulsive liar, I, being raised by one, can detect immediately that spark of truth before it is hastily subverted.  His pupils will subtly constrict and the muscle above the upper lip on the left, the one which is made for smiling, will spasm slightly.  That heartbeat of a second before the lie comes is, for the compulsive liar, the only truth.  So I’m aware that Dennis drove his ‘83 VW Rabbit back to my house only because he needed to cover his tracks, but it’s amazing what we’re willing to settle for under even the best of circumstances.

No one else noticed that you almost cried then, as her soft arms gently released their grasp for the last time.  Only I saw your chin tremble for half a moment, and then your hand reach up to your face and pull down your jaw, a gesture which can appear masculine.  Ignoring me saved you the embarrassment of self-awareness.

They hung non-committally like sacks of flour, pale pink nipples dangling toward the floor without the remotest suggestion of sexuality.  The feeling of one’s skin against bare skin is soothing, masturbatory  without the guilt, sensual without the sex, a quiet reminder of the inherent humanity of our universal form for a woman growing and existing among vinyl pants and itchy underwires. 

If I could draw for you the palpable knowledge of cigarette smoke killing lung cells, I would illustrate the shaking hands of a daughter of an alcoholic as she tucks a well-rolled joint into her Camel Lights on Christmas Eve.  I will be the first to say it is wrong to leave your cousins’ house Christmas day to smoke in their driveway, regardless of the example your parents set.  It is wrong to consciously place foot in frozen-over canyons in the snow where he once stepped, only to get your tights wet. 
 


Each section of this piece is a flash from different moments over the course of the year.  When they are separated, they are individual moments that stand on their own, but comprise a narrative persona when kept together.




David Barreda '00 - Selected Works

David Barreda has been a loyal contributor to Section Eight for the past three years.  As he is graduating, we wish to honor his success with a selection of his color works.  He graduates with a joint major in Geography and Enviromental Studies, and a tremendous passion for photjournalism.  After graduation, he will spend the summer photgraphing Europe in France, Italy, Spain and Germany.  And, need it be said, he plans to pursue a career in photography.
 


Vindergarten


This picture was taken in Norway this January.  David was in Vindergarten, a sculpture garden, when the sun was setting at three in the afternoon.
 
 



Among the millenium celebrations this past New Year's, David took this at midnight in Oslo, Norway, as the first fireworks went off.  "The downtown square was so packed, people had trouble moving around."
 
 


A Bird's Eye


David took this picture facing southwest from the top of the Empire State Building this spring.
 
 



This picture was taken at lunch time in Little Italy.  The maitre d', thinking he was in the way of  the picture, moved just after David took the shot!
 
 


Maria


This picture is from the photoshoot of the Middlebury Theater Production Serpent.
 
 


A Peaceable Kingdom


Taken in Londonderry in southern Vermont this January, this picture was part of David's work for his J-Term class on photographing the Vermont landscape.  "There's something about the quietness and the monochromatic landscape... it makes the animals, being just off-white and brown, seem saturated with color."
 
 


The Flag


In Leichter, Vermont, just before the sun dipped below the horizon, the sunset light on this flag took on the shape of the window.  David was looking in at it from the other side of the building.  Using a 200 millimeter lens at f/4 for 1/30th of a second, "which is really pushing it," he mangaged to successfully get the shot.


 

Red and Blue

by Alison Hertel '02


Snapshot from days when limbs were skinny and days were long 
When one gray house held one red brother and one blue sister 
Milk at dinner and orange juice at breakfast 
Him a gallon of ice cream per sitting 
young and skinny and red and smiling.

Caught making that face I used to make 
eyes so blue and scrunched and smiling; 
Him, embarrassed smile laughing eyes 
young and skinny and red and smiling; 
Sunny and unspoiled, Red and Blue 
unbrushed curls blond and unruly 
toes and hands holding and wiggling.

The shrubs were smaller then and so were we 
blond and bony and young and smiling 
young and skinny and red and smiling 
Red and Blue against gray and green.
 


The idea for this poem, also written for a workshop, came to her while contemplating a picture of herself and her younger brother as children.

 

Bridgette

by Lily McNeil '01.5




This image is from a photo essay Lily did on a female boxer named Bridgette at the King's Highway Boxing Gym.  Bridgette is a recovering heroin addict in New York City who took up boxing because she was tired of being picked on and wanted to fight back.  She also felt stuck, since for a "black lesbian ex-heroin addict, there aren't many options."  In Lily's opinion, Bridgette has a wonderful spirit.


 

experiments of sound with the invention of people

lines written by Jesse Cooper ’00, arranged by Jan Greenfield ’02



   Open the dishwasher.
  Open your involvement with the morning.
   Put up a sign saying you are here,
  never tell anyone anything you do
 cause what can you say about something
 that is so informal and shouldn’t be felt
 thoroughly, in the case of disaster.
  Tell it to another sort of object.
Don’t ever tell yourself.
 Tell me so quickly I spin.
  Just for kicks.
You’re not so serious yourself.
 i’m gone.

  5x7 missing from my loop.
Operate yourself with the sort of time
 given to you by your mismatched shirt cuffs.

     Sleep on the rug.
     Reflect.
      Understate.

6 is ok.
Ok is for it going ffffffover.

 Get fover it fister fox.

     get over
     it
      sister.

sister socks still stocks up with soap.
   Jane says wash it down with detergent, sergeant.
So we can all go on and on and sing our song and ....
 


Jesse: "I wrote the text for it and Jan sort of rearranged what I had written...It's almost a meditation based on the physical act of using a typewriter.  I really love actually using typewriters and will free-flow write on them.  What comes out is very noncommittal: images, statements, and phrases.  Jan gave it a structure, which was probably good, because it comes out very free-flowing, without a  form in a way, somewhat colloquial, somewhat narrative"
Jan: "The inspiration was just basically being locked up inside 4 walls, up for 48 hours, hanging out with Jesse Cooper.  And the typewriter - that's probably the key element in all of it."

 

untitled drawing

by Sarah LeFeber '02




"I was just doing some sketchin class because I was bored… I went back later and finished this one."

 

3 Elephants and a Monkey

by Miles Cameron '00



Colargraph Print

 

untitled drawing

by Sarah LeFeber '02




This drawing was done when Sarah was doing Celtic Knots in a Studio Art class.
"I see art as a means of representing my inner thoughts or feelings to myself… It’s great that people can find their own meaning in a piece of art but that to me is not the central thing…It is a personal thing."


 
 

CONVERSATIONS THE NIGHT THE MOON FORGOT TO HANG AROUND

a collaboration of sorts
by J. Scaq



 Black and White allows us to reflect
  back on the monochrome we fade into
and out of, pretending we know when we 
are awake and when we are dreaming.

Jesse goes into the water
backwards,
but comes down slow.

Mike stands a man
with goldfish in his hand.
 “mmm good, you want some?”

Jill goes up the hill and falls 
 down. inside out. forgetting the one thing 
 she told her mother would never be lost. (at all costs)
  The jackfruit.
As she sat there trying to learn about 
 the rhythms of the universe and the secret of the fruit 
 she mistakenly sliced a good (or not so good for jill)
 portion of her inner palm.

to find out if you are like Jill just ask yourself what your 
 father used to do when you were crying, It’s not that strange really
  to think – about – when you die is done and disembodied voices
  ask about your pee.  Don’t be ashamed to go about your 
business when asked “Why do you do this to me every single time?”
   Sitting under a large raincloud of death.
   They were pros.

Jill awoke from a daze of all the days she had once forgotten, in
  a stark remembrance of me.  She decided to get a band-aid for her 
     soul.

But how can this be answered when it isn’t one of my buttons?

     1/2 of this stuff is funny
      and the other 1/4 is nil
     still

       underneath all of the 
          flaps,
         trees get me going.
 



 
 

untitled photograph

by Jan Greenfield '02



This photograph was taken in a small town in Pennsylvania called Honesdale, where she was working at a summer camp, "on duty all the time, with no time off."  According to Jan, there was an ice cream store across the street from the subject of the photo which has "the best soft serve... if anyone's ever in Honesdale, Pennsylvania, they need to check out that ice cream store."  Jan is a studio art minor, but has had no formal training in photography.


 

untitled drawing

by Sarah LeFeber '02




"I was drawing a nude, but I decided to give it wings and have its legs folded in…to make it a bit more decent."


 
 
 

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