"I believe anyone can be an artist because any work of personal expression
- a painting, a poem - can be called art."
-Sarah LeFeber '02
by David Barreda '00
Perfect
| Have you ever
not known what to do? I never really know anymore;
I can't have a baby pushing out
I can't be fat
How do I know
I told him today;
And he said oh good
I just nodded
He just couldn't take a life either Couldn't kill a piece of me A piece of us Couldn't live with himself How could he understand?
Nine months is a long time
not a man or a baby
Maybe when they suck it out,
He cannot understand
and he will hold me and tell
me it isn't
It really isn't
my fault I go alone
I lie on the cold metallic table
|
untitled drawing
by Sarah LeFeber '02
Untitled
| When I remember that day, I remember walking
up the hill from the library and feeling blisters develop between the sweat
and the pressure in my sandals. And I remember the grating scratch
of my nylon backpack straps on my bare shoulders, rubbing uncomfortably
against my neck, forming tiny red bumps. And I remember hours later,
being suddenly aware of myself totally naked, in full summer sunlight,
and thinking, “my God, it has never been this good.”
While most people may be fooled again and again by a compulsive liar, I, being raised by one, can detect immediately that spark of truth before it is hastily subverted. His pupils will subtly constrict and the muscle above the upper lip on the left, the one which is made for smiling, will spasm slightly. That heartbeat of a second before the lie comes is, for the compulsive liar, the only truth. So I’m aware that Dennis drove his ‘83 VW Rabbit back to my house only because he needed to cover his tracks, but it’s amazing what we’re willing to settle for under even the best of circumstances. No one else noticed that you almost cried then, as her soft arms gently released their grasp for the last time. Only I saw your chin tremble for half a moment, and then your hand reach up to your face and pull down your jaw, a gesture which can appear masculine. Ignoring me saved you the embarrassment of self-awareness. They hung non-committally like sacks of flour, pale pink nipples dangling toward the floor without the remotest suggestion of sexuality. The feeling of one’s skin against bare skin is soothing, masturbatory without the guilt, sensual without the sex, a quiet reminder of the inherent humanity of our universal form for a woman growing and existing among vinyl pants and itchy underwires. If I could draw for you the palpable knowledge
of cigarette smoke killing lung cells, I would illustrate the shaking hands
of a daughter of an alcoholic as she tucks a well-rolled joint into her
Camel Lights on Christmas Eve. I will be the first to say it is wrong
to leave your cousins’ house Christmas day to smoke in their driveway,
regardless of the example your parents set. It is wrong to consciously
place foot in frozen-over canyons in the snow where he once stepped, only
to get your tights wet.
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David Barreda '00 - Selected Works
David Barreda has been a loyal contributor to Section Eight for the
past three years. As he is graduating, we wish to honor his success
with a selection of his color works. He graduates with a joint major
in Geography and Enviromental Studies, and a tremendous passion for photjournalism.
After graduation, he will spend the summer photgraphing Europe in France,
Italy, Spain and Germany. And, need it be said, he plans to pursue
a career in photography.
Red and Blue
| Snapshot from days when limbs were skinny and days were long
When one gray house held one red brother and one blue sister Milk at dinner and orange juice at breakfast Him a gallon of ice cream per sitting young and skinny and red and smiling. Caught making that face I used to make
The shrubs were smaller then and so were we
|
Bridgette
experiments of sound with the invention of people
lines written by Jesse Cooper
’00, arranged by Jan Greenfield
’02
|
Open the dishwasher. Open your involvement with the morning. Put up a sign saying you are here, never tell anyone anything you do cause what can you say about something that is so informal and shouldn’t be felt thoroughly, in the case of disaster. Tell it to another sort of object. Don’t ever tell yourself. Tell me so quickly I spin. Just for kicks. You’re not so serious yourself. i’m gone. 5x7 missing from my loop.
Sleep on the rug.
6 is ok.
Get fover it fister fox. get over
sister socks still stocks up with soap.
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untitled drawing
by Sarah LeFeber '02
3 Elephants and a Monkey
by Miles Cameron '00
untitled drawing
by Sarah LeFeber '02
CONVERSATIONS THE NIGHT THE MOON FORGOT TO HANG AROUND
a collaboration of sorts
by J. Scaq
|
Black and White allows us to reflect back on the monochrome we fade into and out of, pretending we know when we are awake and when we are dreaming. Jesse goes into the water
Mike stands a man
Jill goes up the hill and falls
to find out if you are like Jill just ask
yourself what your
Jill awoke from a daze of all the days she
had once forgotten, in
But how can this be answered when it isn’t one of my buttons? 1/2 of this stuff
is funny
underneath
all of the
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untitled photograph
untitled drawing
by Sarah LeFeber '02